Free Ebook New Complete Guide to Sewing: Step-by-Step Techniques for Making Clothes and Home Accessories

Free Ebook New Complete Guide to Sewing: Step-by-Step Techniques for Making Clothes and Home Accessories

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New Complete Guide to Sewing: Step-by-Step Techniques for Making Clothes and Home Accessories

Free Ebook New Complete Guide to Sewing: Step-by-Step Techniques for Making Clothes and Home Accessories

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Review

"I always recommend the Reader's Digest Guide to Sewing. It's very comprehensive and very user-friendly" -Tim Gunn, "Spring Forward: Expert Fashion Advice," The Washington Post

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Product details

Hardcover: 384 pages

Publisher: Reader's Digest; Updated ed. edition (November 11, 2010)

Language: English

ISBN-10: 1606522086

ISBN-13: 978-1606522080

Product Dimensions:

9.3 x 1.2 x 10.5 inches

Shipping Weight: 3.3 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

260 customer reviews

Amazon Best Sellers Rank:

#47,176 in Books (See Top 100 in Books)

Good book, but I prefer The Sewing Book: An Encyclopedic Resource of Step-by-Step Techniques by Alison Smith because it has more photographs.

I am very reluctant to buy books that I haven't been able to flip through to see if it is easy for ME to understand. I am just beginning to sew and none of the libraries I visited had this version so I couldn't borrow it. I rely heavily on reviews so I felt compelled to write one because all of them have helped me decide. I looked and looked and read and read all about this book. This is by far the BEST book for sewing that I have seen. Hands down. Very easy to follow and it is sectioned off by title; Stitches and Seams, Waistlines and belts, etc. There are projects for you to practice a certain area. Like in chapter 5: Waistlines and Belts, the project is a Skirt to practice a certain waistline. It has a very nice Fabric section which gives a quick overview of the fabrics and what types of project you might see made with it. It has a very comprehensive section on altering and fitting a pattern to YOUR size. I just got the book today, but I haven't been able to put it down. I am so looking forward to learning how to sew with this at my side. If you are on the fence, I think it is a worthwhile purchase and very worth the money spent. If you really want to learn how to sew, invest in your craft with a good reference book and buy this one. It will probably be the only one you will need! I hope this helps.

I bought this book, as well as the Threads Sewing Guide. I am glad I bought them both. The Reader's Digest New Complete Guide to Sewing is a comprehensive reference book with a lot of detail. I am an intermediate returning sewist. This book is chock full of construction detail with easy to follow to diagrams. It includes details on Fabric Types, How to Correct Fit Issues, and Basic Pattern Alteration. Commercial patterns are so poorly marked and documented, I hardly use them anymore (I use Pattern Master Boutique), and if I do, I frequently abandon the instructions about 1/3 of the way through. With the detailed instructions for different styles and construction methods, this book is going to save me alot of time and frustration. There are detailed instructions in the book for several Simplicity patterns. Even in the patterns that I would never use, such as a little girl's smocked dress, the detailed instructions for smocking (both by hand and by machine) are included in the instructions. This is a great reference book, and I highly recommend it to anyone who sews, whatever your sewing level.I also bought the Threads Sewing Guide, and I am glad I bought this one also. The Threads Guide contains different information in many places. The Threads book speaks about Design Ease for different types of fit while the Reader's Digest book speaks to Alterations. The Threads Guide contains information on fiber, texture and characteristics such as drape, while the Reader's Digest book has a chapter on Fabrics with a few sentences on what it is made from and what type of project might suit the fabric. The Reader's Digest book contains detailed instructions on sewing waistbands, collars, sleeves, mitering corners, etc., while the Threads Guide contains the order of construction. I'm thinking we can throw out the instructions altogether. Yipee! The Threads Guide contains detailed information on types of pins and machine needles with close up pictures, while the Reader's Digest book does not contain much detail on these.If you can only buy one Sewing Reference guide, I recommend the Reader's Digest book. In my opinion, if you can buy them both, you will never need another one and you can move on to any specialty books or software that might be on your wish list.

I looked at many books before deciding on this one. It has way more photos and easy to understand directions than the others I looked through.I mainly wanted a book to use for reference when doing things I don't commonly do and forget how. But, now that I have it I realize I'll use it for way more than just that. It shows many different methods for doing basically the same thing. Some ways for basic and easy, and some ways for a more professional detailed look. Gotta love that.This hardcover book is very thick and heavy. It's definitely made to last! I do wish it had come spiral bound so it would lay flat while reading, although it is heavy enough that I don't have any trouble keeping it opened to read. It just takes up a bit more space than a spiral bound would have. But, I feel that it's usefulness way surpasses my preference for a spiral bound.It covers many topics and shows many different ways to do a variety of collars, necklines, waistbands, hems, fastenings, seams, pockets, sleeves, tailoring, and even some quilting and smocking! Tons of information!

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New Complete Guide to Sewing: Step-by-Step Techniques for Making Clothes and Home Accessories PDF

New Complete Guide to Sewing: Step-by-Step Techniques for Making Clothes and Home Accessories PDF

New Complete Guide to Sewing: Step-by-Step Techniques for Making Clothes and Home Accessories PDF

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Ebook Free An Introduction to Writing for Electronic Media: Scriptwriting Essentials Across the GenresBy Robert B. Musburger PhD

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An Introduction to Writing for Electronic Media: Scriptwriting Essentials Across the GenresBy Robert B. Musburger PhD

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"Wonderfully practical....just what every media writer needs." Christopher H. SterlingGeorge Washington University* Learn what it takes to write for commercials, news, documentaries, corporate, educational, animation, games, the internet, and dramatic film & video productions * Outlines the key skills needed for a successful media writing career The demand for quality and knowledgeable multi-platform writing is always in high demand. An Introduction to Writing for Electronic Media presents a survey of the many types of electronic media you can write for, and explains how to do it. Musburger focuses on the skills you need to write for animation versus radio or television news versus corporate training. Sample scripts help you learn by example while modeling your own scripts. Production files illustrate the integral role writers' play in the production process, and individual movie frames allow you compare these to the real scripts. Armed with the skills developed in this book, a media writer can apply for a variety of positions in newsrooms, advertising firms, motion pictures or animation studios, as well as local and national cable operations. Robert B. Musburger, Ph.D., is Professor Emeritus and former Director of the School of Communication, University of Houston, USA. He has worked for 20 years in professional broadcasting, serving as camera operator, director, producer, and writer. Musburger has received numerous awards for his video work and teaching and he continues to work in electronic media with his Seattle, WA,. consulting firm, Musburger Media Services."[An] authoritative and clearly written description of the processes involved in writing for film, radio and television production."Raymond Fielding, Dean EmeritusFlorida State University

• Amazon Sales Rank: #322106 in Books
• Brand: imusti
• Published on: 2007-02-04
• Released on: 2007-04-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .81" w x 6.00" l, 1.45 pounds
• Binding: Paperback
• 360 pages

Features

• Focal Press

Review "Wonderfully practical....just what every media writer needs." - Christopher H. Sterling, George Washington University"An invaluable student-centered approach to learning how to write for various media outlets....both professionally and pedagogically sound." - Jennings Bryant University of Alabama"[An] authoritative and clearly written description of the processes involved in writing for film, radio and television production." - Raymond Fielding, Dean Emeritus Florida State University

About the Author Robert B. Musburger, Ph.D. is Professor Emeritus and former Director of the School of Communication, University of Houston. He has worked for 20 years in professional broadcasting, serving as camera operator, director, producer, and writer and has received numerous awards for his video work and teaching. His published writing includes "Electronic News Gathering: A Guide to ENG" (Focal), "Single-camera Video Production, Fifth Edition"(Focal), and, with Gorham Kindem, "Introduction to Media Production: From Analog to Digital, Fourth Edition" (Focal).

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Download Grimoire for the Green Witch: A Complete Book of ShadowsBy Ann Moura

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The author of the popular Green Witchcraft series presents her personal Book of Shadows, designed for you to use just as she uses it-as a working guide to ritual, spells, and divination. This ready-made, authentic grimoire is based on family tradition and actual magical experience, and is easily adaptable to any tradition of Witchcraft.

Grimoire for the Green Witch offers a treasury of magical information- rituals for Esbats and Sabbats, correspondences, circle-casting techniques, sigils, symbols, recitations, spells, teas, oils, baths, and divinations. Every aspect of Craft practice is addressed, from the purely magical to the personally spiritual.  It is a distillation of Green practice, with room for growth and new inspiration.

2004 COVR AWARD 1ST RUNNER-UP

• Sales Rank: #98319 in eBooks
• Published on: 2012-11-01
• Released on: 2012-11-01
• Format: Kindle eBook

About the Author

Ann Moura has been a practitioner of Green Witchcraft for over forty years. She holds both a B.A. and an M.A. in History. Maura lives in Florida where she runs her own metaphysical store, presents public rituals, and teaches classes on the Craft. Visit her online at www.annmourasgarden.com or at www.lunasolesoterica.com.

Excerpt. © Reprinted by permission. All rights reserved.
1
Green Witchcraft
Creed of the Green Witch
The Sacred Tradition of Green Witchcraft
The Goddess & the God
Family Practice
The Litany
The Rules of Conduct
The Three Styles of Green Witchcraft
Sabbats: The Wheel of the Year
Quarters & Cross-Quarters
Calendar of Observances
Ground & Center — Grounding
Ritual Components — Ritual Robe Colors
Craft Names — Names of the God & Goddess
Symbols & Signs — The Magical Container
Basic Tools — Basic Materials
Altar Arrangement
Magical Pointers
Alphabets — Coven Terms — Craft Terms

Creed of the Green Witch
I Acknowledge the Unity of the Divine, symbolized by the Divine Androgyne, aspected as female and male, Goddess and God, form and energy, lunar and solar powers, honored during the Wheel of the Year at Esbats, Sabbats, and sacred days.

I Acknowledge the immanence of the Divine, whose Spirit resides in all things and worlds, creating a unity of All in Oneness and kinship through the Goddess and the God.

I Acknowledge that the Elementals Earth, Air, Fire, and Water are extensions of the Goddess and the God, both external and indwelling kith and kin, connecting all through Spirit.
I Acknowledge the immortality of the individual spirit, comforted by the God in Underworld, refreshed by the Goddess in Summerland, choosing incarnation by form, place, and soul purpose.

I Acknowledge that the God lovingly demonstrates the life cycle in His yearly passage through the Sabbats. He is born as the Oak King of the Goddess as Mother at Yule; cleansed and carried by the Crone into the arms of the Mother at Imbolc to be nourished by the milk of Her love. At
Ostara, the Goddess transforms as Maiden and joins the God that They may walk as the Lady and the Lord of the Wild Wood to awaken the Earth from the sleep of Herself as Crone of Winter.
The God and Goddess unite at Beltane to bring renewal to the Earth, and at their Litha wedding, the God shows His face of wisdom and age, turning from Oak King to Holly King as He begets Himself of the Goddess. At Lughnassadh, the God enters into the Goddess aspected as Mother Earth, filling Her abundance with the life essence of His solar energy. He enriches
the vines and barleycorn with the essence of His Spirit at Mabon. He enters into Underworld, leaving the Goddess alone as Mother-to-be and Crone through Autumn and Winter, while He leads the Wild Hunt as the Horned Hunter, gathering the dead to His realm. He rules Underworld as the Lord of Shadows, where He offers rest, solace, and release of burdens to spirits at
the end of each incarnation. At Samhain, the God passes His Spirit through the Goddess, making thin the veil between the worlds by their union of shadow and light, turning the Tomb of the Crone into the Womb of the Mother. At Yule the God as Sage offers His blessing and farewell to the children of the world, then turns His face to join them as the Infant Oak King
reborn. Through the Wheel of the Year is the path of perfect love and perfect trust in the Divine demonstrated, that we may walk with the Goddess and the God in the bond of love.

I Acknowledge the three great Mysteries: the Ancient God as Father and Son; the Maiden Goddess as Mother and Crone; and the Union of Tomb and Womb for the eternal cycle of Life Immortal.

The Sacred Tradition of Green Witchcraft
The Green Tradition of Witchcraft sees the aspects of the Divine All as separate and united as Goddess, God, and Both. The One who is All matches all being from the One. The forms of The Lord and the Lady are interlinked and interchangeable: Father Sky and Mother Earth/Sky
Goddess and Earth God; Sun and Moon; Triple Goddess and Wed to the Triple Goddess; Threefold God and Wed to the Threefold God; Lord and Lady of the Greenwood; Lord of Abundance and Lady of Plenty; Queen of the Stars and King of the Universe; Creator and Creatrix, Spirit and Matter; Life and Passage; and Cosmic Dancers of Energy and Matter.

The Creative Forces of Nature are revered, with the Goddess and the God symbolizing the Universal Materials and Energies from which comes all existence. The God and the Goddess are equal and omnipresent, for They are found throughout the Universe, the Earth, and all that dwell therein. Because it is the Spiral Dance of Rebirth that brings us back to the Source
of our existence in the Goddess and the God, reincarnation and communication with spirits are accepted parts of the religion.

Knowledge is the gift of the Goddess and the God, learning through many lives on Earth and keeping close to Them. Magic is a natural means of working with natural energies to accomplish a goal, and this magic becomes part of natural life for the practicing Green Witch. Consciousness may be altered through visualization, meditation, ritual, music, and dance to better commune with the Divine and effect the magic. Through Dedication, the pathway to communication is constantly open, so altered states cease to be necessary for contact with the Divine in Nature, only inner stillness and balance.

Freedom of the individual and personal responsibility are key aspects of Green Witchcraft. The liturgy may be created as needed or desired, for the magic will naturally flow with the acceptance of oneness with the All and with self-responsibility in our living.

Immanence, interconnection, and community are three core principles of Witchcraft. Because the God and the Goddess are manifested in all life, all existence is connected to be one living cosmos. The focus is on the growth of the whole through care for the Earth, the environment, and each other. The mythology of the Lord and the Lady revolves around two themes in the Wheel of the Year—that of Fertility and Passage of the Seasons; and that of the Divine Life Cycle of the God, often related in allegory to the changing of the seasons. Thus, the sacrificed god motif can be found in the Corn (Wheat) Cycle, wherein the God willingly gives His life-force into the crops at the time of marriage that humanity may be sustained, thus relating the Divine to life and Rites of Passage.

The Triple Goddess is the Maiden, Mother, and Crone (Matron), whose consort is the Horned God, the Creator, Destroyer (Hunter), and Lord of the Beasts. All Nature has both positive and negative aspects, and to be reborn, one must first die. The Goddess is seen as both life in Her form as Mother and as death in Her form as Crone, yet both are the same. Death is a natural passage to new life and is not feared or labeled as evil. With Nature there are both pleasant aspects and harsh aspects, but this is all part of the reality of the energy that flows in the Earth, the Universe, and the beings of the Earth. The transition of the spirit through incarnations is not
feared, but understood and accepted as natural, for life is eternal, and all spirits are immortal.

Attuning to the God and the Goddess changes one forever—sparks new hope for the individual and for the planet. Personal destiny is in the hands of the practitioner. The Dark Aspects of the God and the Goddess—Lord of Shadows and Crone—as well as the Bright Aspects—Horned God and Maiden/Mother—are accepted. The Divine is both Creation and  Destruction; Abundant Nature and Destructive Nature. Since all life is joined in the Dual Deity, the Two Who Are One, and to each other, life cannot be destroyed, only changed or moved into and out of the cauldron of life. The religion then is the worship or reverence of the Life Force represented in the
Dual Deity as a Conscious Unity. This reverence may be expressed through ceremonies or rituals dedicated to cycles of fertility, of planting and harvest, and of solar and lunar phases. The Esbats are Rituals of the Full Moon, New (Dark) Moons—times to receive learning from the
Goddess. The Sabbats are composed of four solar festivals, called the Lesser Sabbats or the Quarters, and four agricultural festivals, called the Greater Sabbats or the Cross-Quarters. These are the main focus of ritual in the Green Tradition, along with Twelfth Night (Naming Day). The names by which the Lord and the Lady are addressed are not important, for They are One by whatever Names They are known, and They dwell within. They give life to be lived fully and with enjoyment, and we are reborn to learn until we are reunited with Them. Because people are of the Earth, She should be revered. The Green Witch knows of the connection of all things, the immortality of life, and draws upon the Power of the Divine directly, or through the Elementals of Earth, Air, Fire, and Water, or such spirits, devas, and Other People as may be helpful. The Elementals are the Kith and Kin of the Green Witch, for body and strength are of Earth, breath and thought are of Air, energy and drive are of Fire, and emotions and vital fluids are of Water. In olden days, The People learned in the ways of the Old Religion were called Wicce—voiced in the Middle English speech as Weetch’ie—meaning Wise, and the use of that wisdom was called the
Craft of the Wise—WicceCraft, from whence comes the word Witchcraft. The Green Tradition of Witchcraft sees the Practice of the Craft as spirituality, and holds the word Witch as honorable and  spiritual.

The Goddess & the God
Because the Divine is One, the aspects of the Divine may interchange roles. Either the Lady or the Lord may represent the Sun, Moon, Grain, Harvest, Waters of Life, Universe, Sky, Earth, Life, Death, Passage, ...

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